These are the attempts I remember anyway. A character confuses ‘bomb’ with ‘ paambu’. There’s supposed to be something funny about their constant running in the background, even as other characters have conversations. This goes on for what seems like hours as people keep running past each other but somehow never end up figuring out the resort’s exit. The people in the resort, following the release of these three-four snakes, begin scampering all over the place. It’s important to make this clear, as a woman, earlier in the film, refers to her man’s member as a ‘not-so-long snake’.
And by ‘snakes’, I do mean the legless reptiles that belong to the suborder Serpentes. Towards the end, someone releases a group of snakes. When a character says " Veetla ellarum Tirupathi poirunthangaa", another character retorts, “ Nee avala Trupti panna poitaa.” Around this time, I dimly realised I was closer to crying than I was to laughing.ġ0. A character confuses the words ‘Bomb bag’ for ‘Bombay cake’. He attracts guests by recommending the resort as a solution for people suffering from various problems, including impotency.ĩ. Meanwhile, there’s a saamiyaar who owns a resort called Hara Hara Mahadevaki (there’s your connection to the title of the film). And then, Hari, inspired by Rajini from Annamalai, keeps murmuring, “ Kadavule, kadavule.”Ĩ.
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As Hari steps out of a lake, having lost the itty-bitty cloth he had wrapped around his waist, who should see him in full glory but his future girlfriend. A flashback sequence shows you how Hari’s girlfriend (Nikki Galrani) met him for the first time.
If you’re waiting for a punchline of some kind, sorry. She says she did that because she found it had holes in it. Hari goes home and says, “ Ma, beer-u irukka? Che, more-u irukka?” He then demands to know why she threw his green underwear out. Eventually, all the half-naked men hurry out.Ħ. Her husband, who’s in the same house, exclaims helpless. A woman who is supposedly two-timing the characters played by Karunakaran and Rajendran, is shown to be hiding dozens of men in her apartment. One character looks at a cashier and says, “ Gallaa-la irundhaa dull-a pesa koodaadhu.” There can have been no real reason to include this line except as an attempt at a joke.ĥ. Apparently, he thought that Hari’s dead and goes on to realise otherwise. His friend (Satish) comes in, grieving for his friend. In his opening scene, the hero, Hari, is found sleeping in an ice box that is meant to carry corpses. You definitely wouldn’t want children traumatised by that visual.ģ. I imagine that’s the scene that got the censors to certify this film ‘A’. In one scene, the camera zooms into his bare body so closely that across the width of the entire screen in the theatre, all you see is his chest area. Rajendran plays a character who is apparently such a fan of Mike Tyson that he runs a Mike Tyson Rasigar Manram. The narrator of this film, however, is constantly saying mundane things in this accent, for some reason.Ģ. It was not just the accent of the man in those WhatsApp audio notes, but also, mainly, the shock value of the obscene content - given that he was impersonating a man supposed to be pious - that got people laughing. The film has a narrator who seems convinced that simply mimicking the manner of speech of the ‘WhatsApp saamiyaar’ is funny. Do NOT look away or stop reading mid-way, even if you realise that some of these attempts at jokes are harmful to your psyche.ġ.
You know the saying about the broken clock? In a film that’s replete with attempts to make you laugh, these two worked for me. One has the film’s hero, Hari (Gautham Karthik), trying to replicate a proposal scene, and in the other, a man, long stopped from relieving himself, does so, to a car exploding in the background. Before I do so, let me state that there were two jokes I did really enjoy. Cast: Gautham Karthik, Nikki Galrani, Rajendran, Karunakaranįor this review, I’m simply going to share some of what Hara Hara Mahadevaki considers to be jokes.